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Information Services@ANU > Frequently Asked Questions - Copyright Owners

Frequently Asked Questions - Copyright Owners

If I own copyright what are my rights?

Copyright owners have a number of exclusive privileges or rights. These rights include the ability to:

  • control when a work will first be made public, and by whom;
  • determine how widely a work is to be distributed;
  • enforce corrections to their work;
  • ensure attribution of the work; and
  • terminate further reproduction of their material if, for any reason, they wish to do so.

These rights have been extended to include the right to first communication of a work through the Copyright Amendment (Digital Agenda) Act.

Rights vary depending on the type of work and subject matter of copyright. The table below provides some general guidance on the rights available.

Type of work Rights

Literary, dramatic or musical works

An owner of copyright in a literary, dramatic or musical work can:

  • reproduce the work in a material form (which includes making a sound recording or film of the work or including the work in a database);
  • publish the work (that is, make copies of the work available to the public for the first time);
  • perform the work in public;
  • broadcast the work;
  • make an adaptation of the work (which includes an arrangement of a musical work and a dramatisation or translation of a literary work);
  • transmit the work to subscribers to a diffusion service (such as cable television); and
  • in the case of computer programs, and works recorded in sound recordings, commercially rent the sound recording or computer program.

Artistic works

The owner of copyright in an artistic work can:

  • reproduce the work in a material form (which includes reproducing a two-dimensional work in a three-dimensional form and vice versa);
  • publish the work;
  • include the work in a television broadcast; and
  • transmit a television program which includes that work to subscribers to a diffusion service.

Film or sound recordings

The owner of copyright in a film or sound recording can:

  • copy it;
  • cause it to be heard or seen in public;
  • broadcast it;
  • in the case of a film, transmit it to subscribers to a diffusion service; and
  • in the case of a sound recording, commercially rent it.

Radio or television broadcast

The owner of copyright in a radio or television broadcast can make a sound recording or film of it and rebroadcast it.


Do I need to be registered with an organisation to be protected by copyright?

While it is not a requirement that copyright ownership be registered, it is wise to note on your work that it is copyright protected.


How do I let people know my work is protected?

© Joe Bloggs, 2000.

Traditionally, for hard copy publications, the copyright notice appears on the inside of the front cover or within the first few pages of the publication. It is common practice, in the case of material published electronically, for the copyright notice to appear under its own heading, either at the start of the document or at the end. For both paper and electronic versions additional information can be provided such as specifying under what terms reproduction of the material is permitted or acknowledging that separate copyrights exist. For example:

© The Australian National University, 2000. Permission is given to copy material for which the Australian National University holds copyright, provided credit is given, and the copies are not intended for sale.

or

© The Australian National University, 2000. Permission is hereby granted to use this document for personal use and in courses of instruction at educational institutions provided that the article is used in full and this copyright notice is reproduced. Permission is also given to mirror this document on WorldWideWeb servers. Any other usage is expressly prohibited without the express permission of The Australian National University.

or

© Joe Bloggs 2000. Copying in excess of rights otherwise established under copyright law is permitted, without individual permission or payment of a fee, provided that copies are made or distributed for non-profit purposes and credit is given for the source. Abstracting with credit is permitted.

or

© Joe Bloggs 2000. This publication is protected by copyright and may be used as permitted by the Copyright Act 1968 provided appropriate acknowledgement of the source is published. The illustrations and certain identified inclusions in the text are held under separate copyright and may not be reproduced in any form without the permission of the respective copyright holders.

These are examples only, a copyright notice appropriate for your work may need to be adapted. If you need further advice or assistance contact your local Copyright Contact Officer or the Copyright Officer.

What does 'assignment' of my copyright mean?

I am being asked to give up my rights in order to get my work published - what can I do?

Some sites of relevance on this issue that you may wish to refer to are:

It should be noted that there are other ways in which a work can be published without the copyright owner transferring ownership - one of the most widely used is licensing.

What is licensing?

It is advisable for the licence to be in writing, in the form of a contract. By putting the contract in writing the parties identify the terms of the contract which should help to avoid later misunderstandings about what was agreed.


What else should I be aware of?

Therefore, when submitting work on a speculative basis it is advisable to include a covering letter to the publisher outlining either the terms on which you are offering a licence to publish, or explaining that the work is submitted for the publisher's consideration only. If the publisher is interested, they should contact you to negotiate the terms.

What are my moral rights?

Copyright Amendment (Moral Rights) Act 2000, which amends the Copyright Act 1968 came into force on 21 December 2000. The Act introduces, for the first time, comprehensive moral rights protection in Australia for authors of literary, dramatic, musical and artistic works and film-makers.

The Act expressly implements two moral rights that are separate and distinct from the economic rights outlined above. They are the right of attribution of authorship - to be named in connection with one's work, and the right of integrity of authorship - the right of an author to object to treatment of a work that demeans their reputation.

Moral rights remain with an author, even though he or she may have transferred copyright in the work concerned to another person. Generally, moral rights will last as long as the copyright in the work concerned.